COLIBRÍ
AMNESIA
what are stars but question marks
left in grass dew-form hiatuses
in the longing the hand has searching
for its soul the distant and perfervid
traffic of nerve and sinew echoing
some archaic rock come to rest
on the western edge of water where
the likely sun will set its dizzy head
what is the cosmos but inches of sand
that form the left bank of the stream
eddying ever downwards past nymphs
transformations of shadow and air
in contact with the greater gods who
circle the unapproachable heat of time
and what are children taking naps
but embodiments of death and ink
small remnants of a memory whose
history has long gone lost in the night
we it is who are the amnesiacs blank
with an aphasia of plundered alphabets
myths bereft of a center ever dwindling
in stone and grief half-statues carved
from atmospheres of lunar serenity
not meant to speak right nor to see
and hear as marble sculptures can
in their infinite dream of light
07-24-18
EVENING THE FADE OF ALL
the spine still hot from fever
yet already walking barefoot
in grasses wet with dew distilled
by the sun now an opaque orb
declining in the western hills
a myth of life and breath and
the great and fortuitous guesses
about light and the origins of time
and given the small space for the
soul to escape and the multiple
days of water left in the pool
with its obsidian reflections and
even the Aztecs who have taken
quarter on the south-side of legend
where the maize fields reach deep
into the prospect of another world
shadow figures of the many-gone
moving in shifts of pearl and
agate and the voices too high
above in a sky separated from
its own surface and the talking
going on beneath beds of leaf
and coral isn’t it a wonder
you declaim in an archaic rhetoric
strictly speaking to blackboards
and the chalks of pure imagination
erecting libraries of untold verse
anemones of ocean and spittle
yards where unconfirmed children
spill over the little abysses shouts
that bring twilight to its knees
and the overt speculation about
madness and the splendors of weed
justice of the spoon and the horse
noontimes in the bedlam of memory
lunching with angels long dead
the massive cliffs overnight and
trumpets of vowel and diphthong
splitting the verger into unequal
hemispheres of bucolic and reverie
you keep making noises and rust
and its train of thought circling
mirrors of heat and the abacus
that lacks hands to count and
all the higher mathematics grown
red in the corner of the mind
that begins to see backwards into
the zero formulated by dying
just at the hour when moon and
steam conspire to shape the inks
of whatever it is that can be read
even as layers of silence mount
and wall and spool threaten
the remains of dust beautiful
spirals climbing pedestals of flame
into the depths of the galactic sea
the mind its portents of lasting
a longing to aspire to a dream
of the only thing that ever meant
to be the hand become inert
in its immense digital map
syntax and index of the finger
pointing to the maze of azure
air and its vanishing suburbs
fleeing forever into the past
you continue to declaim and
nothing ever comes back of that
passage through the underworld
asphodel blooms gone blind in
the inextinguishable lamp
rose and counter-rose paling
in the forever of an afterthought
has not been and what else
evening the fade of all
07-29-18
QUESTIONS FOR THE DELPHIC ORACLE
what will the thermometer read tonight ?
will the new marble learn to speak by noon ?
why is there but one hour to this solemn day ?
why were we turned away at the entrance ?
why did the gatekeeper cryptically remark
that Wednesdays were no longer allowed ?
which was the path to the dead language
and which the bend in the road to oblivion ?
what was the task to finish before daybreak ?
why did angels scour the veins of the absent ?
who was the one chosen to live in solitude ?
are there anemones to be picked for the cure ?
do asphodels hold the answer to immortality ?
do women mourning the petrified god
understand that before and after death
there is a light that only sleep can explain ?
why are numbers missing from the count ?
why is three greater than eight in the fusion ?
who is to relay the secret to the missing page ?
what is the letter of the alphabet which is the clue ?
what is the multiplicand that informs the pyramid ?
why do we keep being turned away from the gate ?
are there immensities in space that revolve
after the last full moon has bled the sky ?
why is there a sobbing in the leaves ?
who has left his feet behind as a consolation ?
who will remember to call home before twilight ?
who will tread on the grasses of absence ?
who will be elected to shut all the windows ?
will the chill of the stars finally invade the mind ?
why do we mill around in small groups
unknown to one another and expect absolution ?
who is the stranger dressed in archaic myth ?
which of us by nightfall will be smitten by Apollo ?
why has the gate been removed from sight ?
who will hold the sacred branch trembling with fear ?
which of the heavens will open up unexpectedly
raining down a silence of many eternities ?
will the one smitten by Apollo learn to die ?
will the statues that have sprung up overnight
offer us the enigma and punctuation of their being ?
why are there so many signs written in dust ?
which is the urn and which is the pedestal ?
why is the city we left behind burning ?
why is the city we left behind reduced to smoke ?
is there a single memory we can share before
passing on to the world of the unbegotten ?
are the minutes remaining the same as the ones
we experienced this morning before setting out ?
is there dew in the tumult of the galaxies ?
is there anywhere we can go after this ?
will the one smitten by Apollo learn to die ?
08-01-18
AWAKE BUT NOT AWAKE
in a wheelbarrow they brought us
the remains of memory a pair of sleeves
some shoes without soles and buttonholes
overhead light rolled in waves like glass
in the field crickets were sewing a song
out of heat monotony and oblivion
it was the year without a face the month
called eternity and days like small cups
cracked and waiting on shelves of dust
the women who emerged from a myth
of trees and stone were heavy with names
like Daphne Persephone and Echo mirages
beautiful as a reminiscence of water in the hills
winds stopped to repair the chasm of noon
the sun with its enormous whetstone
seemed to be charged like an open wound
slowly removing its shadow from the sky
and voices of rock and sand like elves
that populate the ear of something dead
found by the side of the road resounded
incoherent with distance and longing
girls too without age pretty as amaryllis
growing in the crevices of earth approached
hands full of dirt clods & insect skeletons
chanting the miasma of an archaic trope
listening carefully to their rounded vowels
we ascertained nothing of their history
only the enormous and blank spaces
left behind by the syntax of moonlight
grief and mourning grass and shade
was there anything else to the Hour ?
we looked again into the wheelbarrow
smaller than we recalled hands folded
over his breast fragile as a hummingbird
sleeves shoes and buttonholes the remains
of memory a face emphasized by silence
and the hair as ever wonderfully unkempt
08-04-18
LA REGIÓN MÁS TRANSPARENTE
para mi hermana Laurita
between Sanskrit and Greek and the homophones
of sun moon and pyramids the Mexico of a vast
nostalgia and indifference infancies of grammar
soundings of lyre and petroglyph in the memory
of parks too vast to enter the looming sword aflame
proscriptions in the history of ants and bees and
the trembling edifice of water forty two stories high
from which the feathered ancestors leap fearless
and the mound and heaven of garbage at the bottom
people in miniature talking the fast dialect of puppets
painted to resemble the totem god of crocodile and
fossil and eventually the big language of despair
surging down avenues of pure advance and intellect
the hieroglyphic novels of the conquistadores red
and ochre and yellow and basalt inches of carving
the nursemaid Chabela in her uniform of starch
and ivory crying because the rope doesn’t go far
enough nor the interior clothing of Baby Krishna
twelve sizes larger than the ink it takes to write
his hagiography and the imposing latitudes of
the tropics museum and nightclub alike where stoned
pianists rival the conga drummer for supremacy
Moctezuma and Cuauhtemoc in black face dancing
the irrigated walk of the illegal immigrants sent
north for imitating living versions of Europeans
claxon and fire-horn and Siren filling the ear
with a lasting impression of trumpet and syllable
bringing down the insurance industry and fraud
to a single violent vowel on Avenida Insurgentes
such was the infancy and childhood and recollection
of flowers and waters floating in mid-air haze
of late twentieth century Infierno of world coming
to its Berlitz lesson too late and the clamor and iron
at the gates and the Policía who forgot to dress
charging a riot of shadows and ampersands loudly
inflicting their empty suitcases on the swarming
at the head of an Antillean revolution and distance
created by megaphones and the phonograph records
that repeat Perfidia way past midnight in the woven
skyscraper of mental aberration sleepless and yearning
for a weather of silent catastrophes deep in the jungle
sylvan emotions lunations of circular heat enormous
with the fictions of Valum Votan space traveler twin
of an orient that cannot be translated and to come home
and simply regress to a small cosmos of maps imagined
or otherwise spread out on the living-room floor nowhere
outside the boundaries of stellar dialogue and loss
me and you, Joe
08-05-18
ARIZONA
the last voices of the day faint echoes
on the failing stairway that goes nowhere
now the smoking edifice of recollection
lingering under the glazed stare of a god
whose immortality is circumscribed
in a distant childhood of petrified thunder
and horizontal rains the now vanished
summers of rock palaces and grass domes
the subterfuge of life and breath a distance
that consists of lost sunlight and hills
and when twilight with its umber curtains
begins to descend and the mind too starts
to shut down its effervescence and bright
the numinous entities of a vast and unknown
Night seem to ignite perilous lamps unspoken
markers of a voyage around the bend
from the familiar to the dusky entrails
of a labyrinth of no-return and yet
the lingering voices the faltering echoes
of a final day of an hour in a parking lot
waiting for the chandelier of salvation
to somehow turn its candles into beacons
that will light the way out of the impossibilities
the unavoidable truths the stagnation of hope
does nothing resolve the knot of existence ?
footsteps traces of passing spheres red and green
a pharmacopeia of illusion and glassware
mirrors that turn on their own axis slowly
revealing then hiding the shadows of reflection
how far does sound travel in the beyond ?
where will the body released of its tensions
find itself when the next day dawns unseen ?
in the transformation of shards and ash
the outlines of a missing spirit and logos
seem to beckon us towards canyons awesome
with geological attitudes massive and remote
impersonality of a final reckoning ricocheting
through stone and liquid alike the voices
the last ones heard in the province of memory
long unwinding sinuous disorientations
like footprints in the dissolving air
beneath a sky of everlasting heat and light
08-15-18
THE DANCE OF IMMOBILITY
it wasn’t just the hand that lacked gravity
but the plenitude and aura and print information
about thought and gyrating icons losing shape
and color and the insects at the barrier wanting in
the walls no longer visible the seas at the window
with their gravel of nocturnal longing and
passing by the phantom automobiles with their
wet tires sleek against the concrete leaving
behind traces of possible worlds of mountains
beneath the poetry of air and light and why go on
the body remained in its ineffable posture
as if asking questions no one could ever answer
expecting oracular lamps to shine on the enigma
enveloping the husk of breath swiftly departing
and what was there to say and listening carefully
to the weeping among the flowers without name
in the corridors and doors opening and closing
of their own and always the distant drone of a soul
testing its wings in an aleatory attempt at flight
whatever there was of weight and consequence
was of no moment now only the cracks in space
widening to let childhood out to vanish somewhere
in the greater horizon before time and grass and ink
the last yearning traces of an unremembered dream
invoked the elusive dance of immobility
08-16-18
JAZZ SOLO
for Will Alexander
by what bullet of the imagination does it take
to comprehend these unforgettable pages
pronominal structures carved out of ozone
decibels of ego-free echo threading through
planet X just before sunrise a mass of rock
silhouetted against the third ear of tomorrow
and sub-molecular implosions waking the Self
to its hydrated energy of baroque syncopation
basso profundo mirror syntax and snaking
vertebral chakras up the solar panel outside
the first of five hundred verb systems meant
to obliterate pre-historic mythography a writ
in spoiled red staining the epidermis of Venus
with an indo-european tattoo horse cult and
magnet drawing from terrestrial ores a
configuration of metallic noun declensions
wild as nebulae out of control mentally speaking
the talk of the sub-continent the Dravidian iso-
lation of the dreamer in his stoned arm of tense
articulation bound to the air by satellites of water
vast and cycling lunations that halve the head
into thirds by dawn and the stellar speculation
about the origins of space the fecund and orbiting
adjective that gives birth to pyramids of sound
homophones of sphinx and delta the vast suns
that formulate chemical psychologies into round
formulae second only to the gassed outer horizons
that encapsulate pre-natal experiences nostalgic
with ritual deaths totem animals liberated from
a lore of deity and demon a whole savanna of winds
detritus of space travel in the ear of Dionysus
oozing from a Sicily of augury and divination
volcanic substance of memory at last cataloged
by eons of buried cities of seas that do not travel
of entire languages buried in sand and magma
the lava of time ! the lava of time ! the lava of time !
frozen yet circulating through Amazon liana
ivy and grass and weed growths in the ocular zone
just beneath the fever of temporal accidents
free-wheeling sapphire in its cluster of phonemes
becoming and not being undefined as existence
plural in its singularity like woman who has
risen from the empyrean of dew rock-crystal
and longing the outer firmament of thought
which concludes the lesson of oblivion skin
and song of dying unto the soul mineral verse
of the Phlegethon burning its centuries of liquid
the small trembling and vitreous thimble of jazz
Coletrane redivivus !
08-24-18
COLIBRÍ
dónde los jotos de las cabezas rotas
pasando entre humo y humo aun más
delicados que las abejas de nieve de
los inviernos piramidales sujetos a las
leyes lunares de las noches fuera del año
me encuentro también niño de pantalones
de sueño corto al llegar al umbral fantasmal
pidiendo limosna de miel y calaveras tontas
hermano sin hemisferio de todos los ahogados
en la pantalla oscura de la muerte repentina
quién me pregunta si soy ángel o colibrí ?
como puedo saber si el número preciso
de las hormigas que van entrando la nube
que llena mi alma es cien o cien mil ? abajo !
pongo el pie izquierdo en cima de una latitud
de mares solares sin espina dorsal sin ojos
nomás pescados eléctricos nadando en busca
de la oreja ciclópica que existe al otro lado
del planeta rayo-X y todavía estoy aquí en
el mero centro de Xochimilco abuelo de mi
abuelo hijo de hueso y colibrí volando
con hembras que no han visto la luz
entre los metales redondos de los cielos
neolíticos hablando con las letras indescifrables
de Micenas un dialecto enterrado por las hierbas
de las rodillas de los conquistadores turcos
en su marcha hacia la alucinación europea
pero nada puede ser hoy ! ni tampoco ayer !
porque nadie sabe hablar como las luciérnagas
perdidas entre los matorrales de las afueras
de la ciudad aún no descubierta de Moctezuma
trueno blanco ! relámpago ciego del norte mudo !
caminos revueltos en su lecho de cero y alfa
lumbre de azafrán que crece como el árbol
del olvido única oposición a las hojas sangrantes
esas cosas nimias derramadas por un dios
desconocido sobre las aguas infernales
que suben pie tras pie el polvo muerto
de la bruja Circe y yo atravesando su isla
yo ! colibrí loco del pasado de la piedra pelada
colibrí enamorado ! colibrí estúpido !
donde están tus alas ?
08-24-18
MICRONAUT II
the year more than half gone since you went
back into the invisible mountain to flower
again to renew the direction of your compass
to turn in your arms for elastic wings
more than half gone since you subtracted yourself
from the x-ray and the multiple prescriptions
from the puzzle of remaking yourself daily
attached to machines that recorded vital signs
what need had you of those artifacts anymore ?
the cosmos in a blink offered you the thrill
of flight interminable wonders of starry light
in all the hues imaginable and time itself
wound itself around the shape of your hand
and aloft you went cruising like a hummingbird
collecting the pollens of ecstasy and memory
inevitabilities of oblivion and space travel
such as you once imagined on Montague street
on a bicycle as if floating through clouds
over the demesne of the roiling bay waters
of the metropolis where you earned your life
as a pilot of plastic space-craft legitimacy
pivoting higher and higher over skyscrapers
and libraries the kite of your own fabrication
unraveling labyrinthine threads as you soared
master of the azure keeper of secret thunders
your eye on the fast winds that govern air
and the moon in its many phases where you
can land and observe distant earth revolving
far from the confusion it had once created when
your mind took a turn around the unexpected
++++++++++++++++++++++++++++++++++
more than six months now since you decided
yes the body is only weight and shadows can
be left behind to determine their own fates
you had learned and taught what you learned
to those too inept to figure it all out
you have become sleek a streaking flash
in the night heavens which we scour looking
for the brilliant dust of your swift passage
into eternity a micronaut at last
09-01-18
AMNESIA (THE BRIDE)
was it a cloud we fought for an empty blouse
lineaments of blue air and the big hair
that belongs to the goddess of distance come
all undone combs pins ribbons and all
the battlements on which we saw her walking
the ditch and trophy and randy dogs sniffing
phantom footsteps the very din of battle
dusting the noon of eternity in her dark eyes
we never looked deep enough into the pockets
where she hid her valuables nor spoke once
with her in the dressing room nor touched
the illusion of her powdered skin as she
flitted by in organdy and tulle and a wisp
of swan wings the door that shut on memory
the fluid device at the center of the poem
that could turn either way moon-rise or
toward the sun setting in the ochre Tuscan hill
a mass of versions of beauty at its prime
girls who turn mirrors into antiseptic weapons
the mature woman at the top of the marble steps
the mad priestess raving in her honeyed cups
mistress of bees the divergent shadow in
search of its body the spool and increment
of rumor spooking the dry wells and baths
how many the rushing waters of a sleep
engendered by a vanishing desire to hold just
once with arms of substance the ghost woven
from the thin threads of myth the primordial
lesson of stone learning to move and talk
a statue and nothing more borne on a ship
bound for Asia Minor and the wheeling birds
above fog and surf and dim mirage of land
sighted by the primitive eye for the first time cliffs
promontories of white clay absences of grammar
shipwreck and victory of ants on the shoreline
darkening like an evening looking for stars
what a lack of trust in the fleeting bodice
the sweep of the unfurling dress skimming
the threshing floors of Phrygia the eye-liner
blacker than the Nile’s deposits and lip-gloss
disappearing in the glass of irreversible thought
minds blown up ! the spear aimed at the stag
leaping mountain peaks of pure longing
sign and delusion tooth set on the fine hide
hands from nowhere taking ink from its shape
shuddering because she has been nowhere
if not in the disappearing lines recited by the bard
silences without echo margins without space
what is in between the gods ? typography
and punctuation of the hieroglyphs of time
reductions of sand and flame lies of the pyramids
let her bed alone in the vast abyss leave her
to the imaginary lions of chalk and brush
a painted ivy a sequence of embroidered leaf
platinum and aura detritus and ebbing tide
flimsy breeze and vowel ricocheting in rock
the named and the unnamed bride amnesia !
08-05-18
MÁS ALLÁ DE LA VIDA
if it’s not the shadow it’s the mirror
that defines the soul’s miscomprehension
about the body and all that lies beyond
the hand extended toward its shape
somewhere in the infinite azure of sleep
the possibilities of a chance encounter
with the other in this labyrinth remain
as minimal as the deciphering of hieroglyphs
buried in the sands of pharaonic oblivion
be we as midges or fireflies lost in this
nocturnal maelstrom where is the hole
though which we may though wounded
flutter away into the abyss of the heavens ?
09-09-18
TERREMOTO
“tutti li termini de la beatitudine”
Dante
we are waiting for the echo of the sun
for the great bipartite wound of the hand
unable to recognize its day has come and
clouds as ancient as the first star motionless
in the molecular distance of the late sky
come down to earth ! fossil angels spanning
the vast and remote literatures of water
and time and pure mountains erupting
in the silent violence of their own rebirth
can dust and the opaque bruised and ochre
hills and the dense occidental shadows ?
it is dawn in the heart’s upper chamber
fleeting counsels of love and nostalgia
moments when mortals fixed in a trance
spend their breath masquerading as owls
or bees hovering in the accident of air
from afar tremors announce an end
vacuities of thought perils of language
unholy oaths trembling on the stoned lip
we are on Columbus Avenue looking
for glassware and hoodoo of the zodiac
minstrels singing in 13th century Italian
arrest us searching our pockets for signs
of the earthquake the Big One the lesson
the forest of vitreous skyscrapers begins to
shake prepared to take the sun from its orbit
everyone knows the heavens are quantum physics
in reverse and stars archaic Neolithic letters
set to burn in the unresolved orient of a Buddha
convicted for distributing alms on pier 19
inevitable quaking of the elements ! RED !
storefronts collide in confession of capitalism
neon and anthracite and silicon ! when is it ?
the hours mount within their stop-watch
planet Mercury addresses the virgin Beatrice
at the nexus of Broadway and the Sacred
minutes defenestrate the weeks it takes
for the second light year to collapse !
Beatitudes ! heliotrope and infinity
in every window the selfsame Devotion
quivering minutely irrepressibly beautiful
her hands lifted to the origins of Space
Annunziata ! temblor and echo-chamber
the sun divided into its five thousand parts
explodes in ecstasy of the Cyclops’ eye
SHANTI SHANTI SHANTI
09-13-18
CHAOS , THE
Oh great the bright and happy the , poetry
for we only live this once this one , day
and spring has flowered and sung its green
and to summer much did heat in cycles grieve
‘til now finds us at autumn’s pastel hearth
a burning leaf a loss of every kind , the Oh
famous poetry of license and fervent nerve
was love at once , a time ago and now forlorn
echo of the past it sings a chaos a splendid
music a radio-wave a blue fountain a , for
a day a king and crossed in verse a thousand
years and dared to wage and fling an arm
high into the empyrean and sing ! the still
and hush the marmoreal silence stolen
kisses from the bier and hair a tousle and
wings forged from grass to fly ! sing ! die !
archaic always rock beneath and footsteps
and velvet the crosiers and flaming flutters
a banner flagged in frozen air and Memory
the chaos of the brain a song to sing a lyre
to bend a wire to snap in the ungodly hour ,
an air , wind soughing through branches wild
a tangle of insomniac measures and aphasia
the diphthongs unstrung and the class photo !
live only once and we do so this is a day a single
one to joy and sorrow both aligned a steep
wall to climb some stones to hurl and water
too a passage into the darkened rivulet and
face down call out to , the , O mighty it is
poetry the vacuum and the stars a fringe
of little spangles asterisks commas a deluge
when chaos to articulate this black hole the
unwinding of the reverie the dream I dreamt
and did you, O pronoun of the second person ,
come high this very time this instant reversed
and once only we live you and I this day is
only and never again embraced like moss
to bark and swoon come evening and the hills
come rolling from their bed and the child
who in his blanket of never will again and
so much else with alpha and zed the unread
page the lost chapter the amazing chaos rent
in two the very syllable of once upon a , the
endings are in the head the dice like eyes
tossed on the ivory shield and come ! late
is the sky full blown and dazzled the daisies
in their small yellow heaven and finally the
and the again which never a place to find
this day of once lived , you and the first
person pronoun , I , chaos to navigate and
poetry erased by its own desire to sing
the song of the , chaos the broken light
the distance and the endless swarming
09-15-18
HYMN TO COATLICUE
when does it stop making sense ?
light in a wide swath over mountains
and distances devouring the all visible
to make of a year this dark plaint
that spreads its Mexico over the past
glyph and lip and protruding tongue
when does it cease to matter ?
each single day but a moment erased
by an Aztec hand fingering dead texts
why circle again this non-existent now
this wild red dot full of the bright ones
dwelling in their thought of eternity
yet crash the skies in their thimble
full of ruin rust and waste to burn
and pyramids by some divinity built
erected to pierce the language-heaven
but illusion and mockery of feathers
what need to plant again the lyric seed
the root that grapples with earth below
summoning crazed shades of Coatlicue
lament and lachrymose her sad vowels
threnody that visits all before day is done
crepitation of wheel spoke and axle
clouds done up in blazing raiment
to remind that behind unruly space
nothing but nothing exists to contemplate
why proceed into the future dense
with shadows disconsolate and confused
to none offered the syllable of grace
the weeping shoulder the unfixed planet
gyrating in the consonant of sleep
the endless series of calendar events
it never happened it never was the stone
the spool of things the names and suns
histories of uncarved stone and sand
routines of myth the glamorous
speaking parts and statues of the Half
it is but once and once is forever gone
tick and tock the whirling universe
manifest troubling galaxies of the eye
song that poured into the restless ear
a tone a dim bell ringing echo of dust
what else to give to the vacant heart
but hieorglyphs of eternal silence
when does it stop making sense ?
09-19-18
ON THE LEFT CALLE TULA
“vas a morir como 1 ganglio de luz”
Mario Santiago Papasquiaro
on the alert , alive , to fix , to die , alight
in Teotihuacan the old , dust engravings ,
peacock feathers , Aztec stone hatchets ,
the lake in which submerged the light
will turn to rock , erase the etchings ,
fill the veins with paroxysms , Greek
annotations in the sewers of DF , to rise
to the bucolic and skewer the air , sing !
at no other time in this history , boulevards
that only go the other way , symptoms
of cardiac arrest , allegations of child mole-
station , of the cross and the flower , the
dead garden , fuchsias of pure bone , com
-munism , murals that cover a volcano ,
myth of beards and paraplegia , hospitals
without beds , beds without deaths , the whole
in atavistic corruption , claxons , outhouses ,
the junkie on the corner of Hate and Derision ,
pouring anthracite into his veins , president
of the Roman empire shouting in Toltec ,
slogans of painted winds , asbestos storms ,
Mercury ! , patina of red and cuprous , a
solution for water , a debacle in the sardine ,
here will we stop to memorize , here will we
cease to function , living matter in excess ,
on the left Calle Tula , sardonic apses , lists
of alphanumeric planets , disregard for art ,
singled out for its hair-piece , the ice-pick and
the police button , on their knees the shoulders ,
how do we find refuge in poetry ? shibboleth ,
anarchosyndicalism on the rise , 110 storey
structures wobbling like tin , furious to know ,
the next visit to the Intensive Care Unit , will
be the last , paragraphs of medical lies , cell
counts disturbed , mourning and misery ,
sad and tender , this was the hand that held ,
these the feet , couldn’t stay put , couldn’t
find direction , and so it goes
09-22-18
Θέτις
your voice tender and tragic addressed
each of the ambulances parked in front
asking if they had your soft Achilles
wounded an ankle at a time on the shore
where were the traveling bed and sheets
wrapped around the phantom figure ?
how did the deities transport him from
the lonesome strand to solitary con-
finement in the illusory Phrygian uplands ?
your syllables riveted with anguish and
foreboding while the invisible wheel of fate
blotted out the sun in its slow gyration
that afternoon ! how many times would
it remain engraved in monumental silence
granite and marmoreal forever distant
who was to pick up the trail outward
to the planet where the Sisters weave
mortal limits on the plangent loom
beyond boundaries of ink and sand
that define what memory is to the gods
a mere reflection in running mercury
puerperal fever and syntax of loss
catastrophic ruin nerve of black tears
yet there they stood the impassive vehicles
that transport the mortally wounded
to an Elysium of benediction and grief
and the unseen fists of your anguish
pounding on the irreversible metal
come back ! don’t go ! be visible !
your cries sea-swept in the tumult that
bears away echoes of heat and sorrow
you stood on the threshold of infinity
not comprehending yet knowing always
there are waters mountains and mysteries
and deep within these the seed of light
the immemorial child the brevity
09-26-18
BEATRICE : THE NUMBER
for Cassandra, the pre-Raphaelite
the three and the nine and all they multiply
threshold of the stars or a blank paper
void of eternity divided by zero !
Cocytus and Lethe wailing and oblivion
and even further down to the south of the dead
where waste and detritus of mind pile up
shines in raiment manifold hues of bright
in every shade misty the distant Beatrice
who has seen and held forth in verse and file
triptych of the heavenly and untouchable
painted face of neo-platonic reverie a lily
blooming in the upheld hand to the clouds
and their seed and flux all shaking a vast
summer of elements unnamed and never
to be ascertained the finger that sketches
fog and dew of the afterlife and the lip
trembling that aspires to the blessings
accorded to the innocent and undefiled
the artist unconscious of his sentient skin
deep at work in unfathomable night brings
to life the absent one the profile and outline
of light the numerology of the ancient poet
adding dividing multiplying subtracting
mystical apparatus of the number of words
it takes to define the emptiness of space
the grounded rule of time left in her eyes
quivering sensibilities of flowers ablaze
sensuous at the root and ready to be devoured
by the Sun in his constant turning flame
how doth the animal in the brain Sleep ?
in the temple of stone and incense prayers
radiate their somnolence to the unspoken
rustle of silks and waters somewhere a music
wrapped in Damascus cloths and porphyry
mosaics she leaves beneath her waking feet
ciphers hieroglyphs of incumbent Beauty
at one with the nothing that comes before
birth and the divining grace of invisibility
aloft can she be lifted by soft atmospheres
legends of the heart and resin of intellect
given over to devotion and contemplation
her one body no body at all adolescence
of angels descending on the endless Thread
to take in her very absence the Whole
setting above it the Rose and dissolving
it over and over in adamantine silence
09-30-18
CHILD-OF-MY-HEART
which was the hieroglyph that interpreted you ?
was it the leaf learning to read the light
and what it has to say descending on its ladder
of invisible floral patterns and moon thoughts ?
you reached out for a handful of air
to define your true being the essential inner you
great internal blossoming of sand and rock
imprinted with the hearsay of the archaic
enormous unfolding waves of letters
missives from secret gods hidden in liquid gold
what their mouths were telling you in a language
of fever and ancient fingerprints HOIL
which you wrote in your mysterious passage
to the underworld riding the enigmatic thunder
deep into the recesses far beyond the cathode ray
where lightning bugs and fairy princes toiled
to remove the blister from the mind
intelligence of a higher order spatial careening
within the thumb and its aureole you held aloft
staring at times for an eon into the miasma
and corolla of the bedside plant emerging
from the souls of the Philipino or Nigerian nurses
who helped you turn from one hemisphere to the other
blazing ingots of midnight spheres swirling
in the forever of your crabbed Egyptian handwriting
Child-of-my-Heart ! how could I know that to
pick you up and address your frail weight
was an error a millimeter of breath and truth
misunderstanding of the hundred thousand isotopes
that converged to remove your body from its
burning and naked shadow the one and the two
that summed you up between the galaxies
that were either coming to a sublime end
or that were just being born again
10-02-18
AUBADE
“Vaya noche antiBuñuel / antiDalí”
Mario Santiago Papasquiaro
conduct of the black sun rising
more ephemeral than the mountains
he destroys and the shocking white steeds
that draw his cart shaking their atrocious heads
earth drenched in the infernal dream of air
turns ever so slowly on its illusory equator
Brazilians in epic of drowning manatee/nymphs
Peruvians stoned on antediluvian heights
and mostly Toltecs wardens of holy Peyotl
day bright lyric of all the dead troubadours
aroused from their Provenzal tombstone dialect
sing the thousand and ten Muses of dereliction
ominous bird springs of Etruscan augurs
lesser still the ocean lifting his hoary head
above archipelagos of petrified byzantine saints
waking to insane ululation of an unseen muezzin
all of the Libyan sands that still mourn Dido
moaning in the crystallized ear of the Nile
we are borne on frigates of moon-rock across
Scylla and Charybdis reciting pentameters
of the Mort d’Arthur to the hallowed winds
that govern gods of Dawn and deathless time
to be cast on the spent mutilation of statues
waiting for dread Phrygian taxis to haul
them back to the monumental quarries of Pluto
Alba ! sounds of wet traffic and trolley cars
through the labyrinthine Medina of the soul
held captive to beds of irreconcilable nostalgia
our ghost bodies permeated with alcohol
and sandalwood struggle to remember exactly
what–names and identities remain locked
behind vast panes of vibrating refulgent glass
flimsy partitions between infinite tidal waves
junk of the fading stars falling like confetti
Pegasus narcotic spoon-fed delivery to the brain
suffused animus of infernal to be the once and
only blues bringing its funereal saxophone loud
to this world of ours which has lost its center
the child replica of the holiest sacrifice the mind
bifurcations of infra-red and tumult of breath
alone and away on surges of oneiric miasma
waters of burning errata and oblivion
of a demonic morning text
buenos dias , compañeros !
10-06-18
3 comments so far ↓
1 Andrew Joron // Oct 8, 2018 at 10:48 am
Ivan Argüelles is one of the great visionary poets of our time. Alternactive deserves credit for featuring his work.
2 Jack Foley // Oct 8, 2018 at 8:17 pm
A wonderful selection. Thank you. Ivan Argüelles has produced a body of work rooted in his Mexican-American heritage, but this body of work is unlike anything anyone in any ethnic group has ever produced. Though it is indeed Chicano poetry and is sometimes produced in Spanish, it does not limit itself to purely ethnic themes but ranges widely over a vast array of subjects and cultures, including the Classical world of Greece and Rome. It is in fact an immense trumpet call for new modes, new possibilities of “Chicanismo.” Initially grounded in the Spanish variety of Surrealism, Argüelles’ poetry swiftly began to transform itself into an instrument that communicates before it is fully—or sometimes even partially—understood. It is simultaneously “difficult”—restless, full of “references”—but also immediate, visceral. It cannot be “explicated.” Moving beyond Catholic Mexico/Catholic Spain into the even darker roots of Catholicism, Argüelles’ imagination explores the deeply pagan, deeply anarchic ground of an “other” tradition. Urban, sophisticated, learned in many languages (“tongues”), the poet creates a profane, stunningly transcendent, enormously erotic body of work that would probably have had him burned at the stake in the Middle Ages. Poet John M. Bennett insists that Argüelles’ work “is not really ‘literature’ as the term is commonly understood”: we must read it “with a new mind-set”; “one has to allow oneself to be ‘drowned’ in the ocean of this stunning and protean work and be receptive to all the ambiguities and contradictions it contains.” Argüelles’ own word for his work is “Enigma”; another way to describe it is to insist that it is a mystical consciousness which has removed itself from any known religion: San Juan de la Nada, poetry as that old black magic. Our critical categories fall by the wayside as we attempt to tell people what it is about this work that so moves us, that so “charms” us with its impossible, totally “inconsiderate” power and darkness.
3 Nina Serrano // Oct 11, 2018 at 9:22 pm
Leaves the reader with much to contemplate while swimming in this warm ocean of WONDEROUS words.
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