EL PELO GRIS
Que cosa tan extraña es la vida-- yo voy de un hogar a otro, mientras los árboles duermen siempre en el mismo lugar, siempre cantando el mismo himno de viento y hambre. A veces los barcos salen de mi corazón embullados, otra vez, al mar sin tenerle miedo al sudor largo de la vida. El océano de mis años se va secando, pero todo el tiempo está lleno de peces entre las olas y arrugas de la esperanza. Porque aprendí a nadar en las orillas de la vida en los brazos de mi mama, pero se van las madres en los fuegos entre oraciones. Luego, desde el balcón de mi memoria aparece el parque de la juventud. Los columpios se pierden en el pelo gris del aire.
GRAY HAIR
How strange life can be— I go from one house to another, while the trees always sleep in the same place, always singing the same hymn of wind and hunger. From time to time, boats exit my heart looking forward, once again, to the sea unafraid of the long sweat of life. The ocean of my years keeps drying up, but the whole time, it is full of fish within the waves and wrinkles of hope. Because I learned to swim on the shores of life in my mother’s arms but mothers leave in the fires between prayer. Later from the balcony of my memory, the park of childhood appears. The swings getting lost in the gray hair of the air.
WHY THIS
I am neither salt nor earth, but I did give birth to a church which I traded for all the hydrangea in worlds of bone the way I traded an amethyst ring once for a balloon, the ring I hid between my legs before officials checked my hands for jewelry when we were leaving an occupied country. My poor arms had already practiced being an altar the rest of me, jasmine. My birds are thick-skinned especially around lions. So mother warned me: bows and arrows are only for those who cannot carve boats out of wind. So she said: make my memories honest ones. Then she turned into fire, leaving me to grieve ants. What wolves me is hunger, the lack of air surrounding the teeth of my boats.
WHEN THE NIGHT COMES IN
--after Luis Rosales When the night comes in, hundreds of refugees climb quietly into boats. The moon and the coyote fall in love. When the night comes in, the coat, in the corner of the room, unloads its cold burdens. When the night comes in, the morning glories worry about debt. When the night comes in, those who are exiled dream of finding their houses in the land of their birth. They cry, in their dreams, if they cannot find it. When the night comes in, the nightingale softens the walk of madmen. When the night comes in, swimmers are more careful in the waves of doubt. When the night comes in, stars hover over the homes of the lonely, the cartographer falls asleep on the mountainous land of sadness, the bullfighter hides his dark thoughts in a red handkerchief. When the night comes in, refugees quickly unwind the rope from the dock. Suddenly the wolf’s howl is a type of prayer.
THE ASTONISHING WORLD
--after Angel Gonzalez This astonishing world where we turn to horses for their blue answers, where love cracks as easily as glass, and trees whisper aubades to the boats that leave for work each morning, where bag ladies sit in the corners of rain, and the homeless look forward to loaves of fire at night, when winter soaks their dreams, where spiders threaten those in tattered shoes, and fever forms on the foreheads of the wheat and its children. Look, the elderly sit on balconies and knit their memories into scarves, the daffodils mourn their mothers and fathers, and old birds sing to ward of death. O world astonishing because we can rest our tired breaths on hammocks between two pines, because sometimes the weathervanes move in the opposite direction of sadness, because even in refugee camps the children hide behind tents in a game of hide and seek, because we can imagine blue horses and set an extra place at dinner for destiny, so we can ask her to let us always breathe easily and, if we can’t, to make sure we don’t die alone.
THE HOUSE
I want to find my childhood home among the hydrangea, the day lilies and peonies. There where the bowl on the dining room table is always filled with pomegranates, pears, and luck where the roof sings its song for those who have nothing, and all who look in its windows are promised to never be exiled again. There are boats in the nearby river with good hearts, birds in the trees who believe in prayer and dawns. The pear trees ripen away from debt. I want to play, again, on the swing next door and look over the backyard wall to see the neighbors’ roosters and hens, anything free of doubt and worry. O sweet house, there are no horses left who know how to get to you. And I, I walk as a tourist in my own dreams, where the stars are barely lit and palm trees keep calling my name. I miss my house, now, in old age when there are a lot more birds in back of me than in front.
THE HOUSES
There are times my body walks by itself as if we were two stalks of wheat blowing in different winds. I am separated from myself the way an echo keeps going after the first yell. I straggle behind, like years do, with their memories of failed loves, of debts. My body of dinners with no bread. strides ahead of me like a country seeking its name unconcerned about the cartographer’s struggles to delineate a nation made only of hope. It walks forward, always forward, looking for houses made of sugar and flour, persimmons and apples. I watch myself swimming in a river the opposite of loss, I watch my hands put coins in a beggar’s cup, I hear my mouth bequeath boats to refugees and promise exiles that they will once again see their homeland. I watch my hair fly in the wind like hundreds of freed sparrows, the heart, o the heart forgetting how old it is offering itself to thorn bushes without any fear believing there are many more houses, roofs intact, to live in.

 Site hosted and supported by the UC Merced Library
 Site hosted and supported by the UC Merced Library
2 comments so far ↓
1 Blair Adams // Dec 20, 2021 at 9:03 pm
These poems are lovely, Eva. You can tell a lot about a person when you read their words. You are clearly a thoughtful person, reflective & with consideration for others. Keep writing!
2 Ashley Fernandez // Dec 21, 2021 at 9:15 am
These poems are amazing dr.skrande I honestly love the poems and most the gray hair
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